Saints Row: Gat Out of Hell PS3 Review

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WARNING: SPOILERS

In continuation of the over the top antics and storyline the Saints Row crew throw a Birthday party for the resident nerd, Kinzie Kensington. They find out she hasn’t ever had a birthday party before, people are only mildly surprised, and then they break out the cake, generic fun party stuff, and a spoof of a Ouija board. They start asking the board a bunch of questions and it somehow opens a portal to Hell. It sucks the President of the United States of America in and then immediately closes itself. Everyone gets pissed and Johnny Gat and Kinzie Kensington volunteer to go rescue him.

So right off they take the two worst characters of the series and make them the lead characters. Yes, Matt Miller might be a ugly looking dork who’s possibly closet gay and obsessed with a shitty TV series, but at least he has personality. Kinzie Kensington is the kind of nerd that most nerds ignore, because she’s for lack of a better vocabulary: one dimensional. While most people can talk about other things that aren’t their job and live a normal life, Kensington lacks that ability. Same goes for Johnny Gat. His major characteristic is talking about killing people, and then does some killing of the aforementioned people. Seeing how everyone in most of video gaming history has this ability I don’t see why that makes him so special.

Despite this crappy note I liked most of the story that was actually told. Sure it’s a little slap dash, but a lot of the humor is still there. It has a bit of a mundane feeling since its all more of the same kind of either story or gameplay but I at least liked the ambiance of Hell and all the details added to the world. One of the major things I didn’t care for is the feeling that they either left content out or just flat out stopped caring. One major things I always do in sandbox games is take over the town, when able. This is a feature in most of the series and you get a few good perks from shops because of this. In other games like GTA you can even buy houses in areas you’ve taken over. Anyway, when you hit 100% it transfers back to the storytelling version of cut scenes. It’s where one of the main characters opens a ugly children storybook with the Saints Row symbol on it. She then flips through the pages of the book and basically reads it to you with really elaborate art pieces. It goes on for about 30 minutes and gives a dozen or so things anyone could get hyped about. Now instead of letting you play out those things, which would have added lots of depth to your relationship with the members of Hell, tells you how everything happens, rather then you being apart of it. It tells you how a fight unfolds between your group vs. whoever and how they reside in hell now. It’s a complete cop out of game play and some possible good story missions.

The graphics are the standard and good enough for the gameplay. The only fancy elements were the constant drips or raining lava. There were the occasional glitches, but nothing serious. Once I had to restart the game because I was wall climbing and got stuck in the building. Its like I could walk around the interior of the building if it was made entirely of two way glass. Also the freezing glitch, that stopped the game completely, was remedied in this version. Although there were major sound issues. Many times when I’d snag one of the audio collectibles it would get about half way through what it was saying and then just cut out. Then it would be pure silence for the next few moments or you’d switch back to the aerial sounds of Hell and generic music. It also had trouble playing anything in the background while I grabbed one. A few times I’d have someone shotting at me or I’d be on fire and the audio would block everything out and just focus on the collected audio.

All of the previous power ups from SR4 are available in this game as well. You can still run up walls, throw ice/fire/darkness/whatever, send minions to do your bidding, and power stomp the ground. They only improved those marginally. The only addition they included was the ability to fly, but it’s kinda lacking since its more like gliding. They explain that Satan got it from somewhere and Blackbeard stole it, but I don’t remember much after that. Also the variety of weapons they included embody the 7 deadly sins. Most of them are either A) obnoxious or B) already in the game in some form. Like the Ark of the Covenant gun is suppose to represent Wrath. It sucks in enemies and shoots them out in a explosion. Cool, but the stomp power up already sucks enemies in, crushes them, and some explode. When ya think about it it’s not really too great add more collectibles that do the same thing. It makes neat combos, but again, useless when you’re super empowered and killing everything was rather easy.

The final fight with Satan was hideously disappointing. It basically consisted of him disappearing and reappearing in a certain time frame, or essentially a flashy version of peak-a-boo. Sure he hit you with everything he had, but if you’re anything like me, you’ve already gotten every special hidden power up or gun and the health bar becomes a joke. Sure this series is all about empowering, over empowering?, the player, but we’re fighting Satan for fucks sake!!! The master of darkness, the evil of all evil, etc. He could have been at least a little bit scary or intimidating. I mean Satan is cartoonie in other productions, but he still had a feel of intimidation in some way.

This ‘DLC’ was both disappointing and refreshingly strange. While it didn’t add anything new gameplay wise however the level(s) and artistic interpretation of hell was fun, funny, and really damn detailed. While I hate collectibles, the commentary was funny at points and added some depth to the world. The rest of the story was just meh. The musical fairy tale style of story telling was disjointed. It often interrupted by actual cut scenes that felt a lot more serious then the many of the cut scenes. Yeah all the fun parts are there: the running, the shooting, the huge explosions, but it really really feels like one of their writers just said “FUCK IT!” and stopped writing , or caring, at some point about telling more of the story. So it really does feel weirdly incomplete.

If you want something really abstract, even for this series, then try this out. Otherwise I’d be weary of it.

6.0/10

Kingsman: The Secret Service

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WARNING: Mild Spoilers

Harry Hart owes a life debt to a fallen friend, Lancealot, whilst working for a socially elites group of people who are Britain’s best undercover spies called: Kingsmen. They all take names from King Arthers fairy tales, and some even exude qualities of their mythical counter parts. Regardless, Gary “Eggsy” Unwin grew up as a social delinquent. He eventually gets arrested and calls on the Kingsmen to get him out of trouble. They do and decide to recruit him for their undercover training program.

I consider most British comedies wittier then most American comedies due to well placed sight gags or very well crafted dialogue. This one lacked in some areas on good gags and smarm, but it made up for with well crafted crass humor. Colin Firth played the straight man to Taron Egerton‘s young and foul mouthed teenager. Many examples can be seen in the various trailers out there. Other times its simple pokes at American stereotypes or in your face violence. Oddly enough I found myself snickering at some of the violent scenes involving a racist church group they eventually investigate. Other times it was at the blatant references to just about every other spy film ever made while still trying to formulate a ironic style of humor while still honoring the genera.

I didn’t care for the film’s jumbled development. Many times Taron Egerton’s character jumps between lovable dumbass to killing machine back to being a arrogant prick. You’d think after months of training he’d know how to do something simple like open a parachute. Also the anti-US American undertones were a tad obnoxious. They were consistent and only seemed to be berating the ‘evil corporate American companies are trying to kill you’ lunacy that seems to plague every other story now-a-days. Also it isn’t plausible that one of the crucial parts of the story involves mass genocide and all the billionaires in the world just being OK with it. Because once society has toppled what good is their money? Who will run their power plants or make their food? Oh wait. No one will, because everyone is DEAD. There’s a definite spike between different styles of humor after a main character dies. In the beginning it’s a mixture of mellow, wit, wry, and crass humor. After the main character dies then it becomes oafish and pure crass. It isn’t that its too jarring, but it’s REALLY noticeable. So if you think all of a sudden the jokes become crappier then thats just letting you know you’re near the end of the movie.

Colin Firth was decent as a stern sophisticated person without giving into his past experience with roles. Mark Strong played a good guy for once and while not showing a lot of strength in anything he did seem to know how seem convincing he was a master of all trades. Mark Hamill is a bumbling professor and plays it rather well. It’s different since he usually plays a stronger male role, even as a villain. Taron Egerton was good as a jackass, but most of his acting was reactionary due to the script so I don’t think it’s a good example of his acting. Samuel L Jackson was great as the villain, but it seemed like he needed to tighten up some areas and be a little more aggressive or assertive. Other wise he was rather good and made someone with a lisp rather creepy.

Most spy films that try to be comedies fail by hiring writers who don’t know how to blend the two genera or the comedy becomes too experimental. This was a nice balance of everything without having one genera overpower the other. The characters were likable, even if mildly cliché. The story might be bland to some people, but how everything is set up separates it from the rest of the genera. Kingsman might not go down as a comedy classic, but it will definitely be brought up in conversation frequently.

See it in theaters.

7.5/10

Hot Tub Time Machine 2 Movie Review

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WARNING: SPOILERS

In the long slew of gross out movies that Rob Corddry and Craig Robinson seem to be fond of making this is probably their darkest yet. The crew from the previous film is back, with exception to Adam (John Cusack), and are shoved into the future. There they try to find out what happens to Lou (Rob Corddry) and why people are trying to kill him. As they bumble about they run into a few new faces and they find out that his life, as well as a few others, are completely in shambles.

Now usually some sequels either extend the series or do a good job at filling all plot holes. This successfully only adds more plot holes and leaves the previous ones unanswered. They only briefly bring back Chevy Chase‘s character (the Hot Tub Repairman) for two sentences and then disappears again. Thus not answering why he’s there nor how he can just come and go as he pleases. They joke about Cusack‘s character disappearing and then don’t explain why. Then they form new plot holes like why Lou decided to become a jerk again since at the end of the previous movie he seemed rather generous with his friends and liked his son. So he went from loud lummox of the group, to being the most immoral person in the film. It’s suggested he slept with peoples wifes and did more drugs then before with reason as to why and would verbally abuse his coworkers. They also bring up Adam Jr (Adam Scott) who is suppose to be Adam’s son, but don’t explain that well.

The crux of any comedy is the jokes. They deviated from the previous formula they had and make just about every joke darker or gross. One of the grossest scenes in the movie highlights the slow moral degrade of most TV game shows, but it takes it too far when they do more then imply possible forced sexual acts. It ruined the latter half of the movie for me since it made me wonder if I heard sounds of rape or just someone who was grunting in pain due to a lot of electricity flowing through their body. Other times they are just hating on Jacob (Clark Duke) and it isn’t funny because most of it is from Lou and he has no room to talk. It’s a total oxymoron for someone who has poor impulse control to throw shade about his son who’s just hasn’t found himself yet.

Hot Tub Time Machine 2 wasted a movie going experience by rehashing the previous storyline. With the small, and ignorable plot holes, of the previous movie were only exasperated in the fact that they were brought back up with stupid dialogue, and just as quickly dismiss. Then sprinkle some very disgusting humor and offset it with other forms of humor and it makes them feel largely incongruous. Quality doesn’t seem to mean anything this time since the jokes are guilty of being average or bland. None of the characters developed any and even at the end they are only slightly less crass. So it seemed like a fruitless endeavor for them.

I’d wait for this one on DVD before thinking about seeing it.

5.5/10

Saints Row 4 The National Treasure Edition PS3 Videogame Review

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WARNING: Spoilers be spoiled

The Saints Row gang has taken over the United States of America and have somehow made their lead President. He starts to run the entire nation into the ground and calls a press conference to settle everyone down. Seconds after his public speech on how he’s going to clean it all up Aliens, called the Zin, show up kill, kidnap, destroy everything pretty much proving he can’t do shit. After a while everyone gains conscience and make some kind of stark realization that they aren’t on Earth anymore. As it turns out the smartest one there steals a ship and somehow notifies everyone they are in a ‘simulation,’ which is a nice way of saying VIDEO GAME. So they decide to do all they can to screw up the simulation and kill the Aliens that captured them.

Now usually when a series ‘jumps the shark‘ it is a giant cluster fuck of poorly written dialogue, story, jokes, character development, etc. However the group over at Volition makes jumping the shark a complete new art form full of various flavors of humor and wonderful tributes to movies, television, and even other games. Like most open world games you can run around doing dick all, or help someone do side quests, or main quests. Although after doing the seventh or so crack the code, blaze, or whatever else mini-game it’ll get repetitive, but if you want to max out your level (capped at 50) then doing all those, and some side quests, and should max you out before the end of the main quest.

I liked all of the stories told. They were entertaining and the humor flowed differently from character to character and none of it was too distasteful. However some were just throwbacks to the previous games. Since I hadn’t played any of them I had no clue what was going on. So they kinda didn’t hold any relevance and I wound up not caring sometimes. Sure that’s probably my fault, but I can’t get engrossed in a story about Matt Miller‘s wankery for his favorite TV show. Also some of them didn’t make sense. One confusing one in particular involved going to save Benjamin King from a simulation. Apparently lots of people are trapped in other simulations that make them think that all of the persons worst nightmares are coming true. So this involves a rival gang surviving and a hologram of his ex-girlfriend coming to kill him. Once the player gets him out, or to a point where he can leave, King requests that he stay in the simulation so he can kill his ex. My first thought was why does this matter?

As the story goes once someone is removed from their simulation they are kicked out of their holding pod. So simulation crashes and its assumed to be deleted from the Zin’s system. So in other words his ex-girlfriend isn’t real. She’s kinda like a AI unit in a videogame. It’s just a re-imaging of her. Once the simulation is deleted, she is deleted. Whats the point in drawing out something LONGER and get vengeance on something thats going to be deleted anyway? Besides, the ship has two really well rounded hackers on it, Kinzie Kensington and Matt Miller. Both could easily find the ex-girlfriend AI if she decided to go rogue and delete her that way.

Others are almost completely relatable on both being comical and/or nightmarish. For example: you liberate Pierce Washington from a corporate advertisements nightmare gone wild. Another makes Asha Odekar come to terms with her fear of failure. This one made me feel bad for someone who’s probably a strong headed killing machine, but truthfully its something everyone faces.

I hate to say it but most missions, beside the side quests, were incredibly easy. It mostly consists of go to x-location and kill x-bad guy. Sure the variety of story spruced things up a bit, but the game play was boring at times. I eventually found myself looking around for the collectibles considering they added some insight to the characters and gave you various powerups. Even the DLC(s) were easy which consisted of the same system of gameplay, but would only momentarily involve other aspects like doing a arbitrary task for someone in order to continue the mission. Like one involved finding all the people dressed up as animals and caging them. Fun, funny, weird, but still kinda boring.

One of the things I enjoyed the most, besides the humor, were the cameos. Sure, cameos are usually a bunch of people selling out for money, but many of the characters in this game had a purpose and are totally essential to the story telling experience. Like Keith David, one of my favorite bit actors of all time, is a main character and is apart of many parts of the main story. He even has a few good one liners later on. Rob Van Dam and Roddy Piper add a good bit of hilarious, and gruff, voice overs as well. Neil Patrick Harris is a villain and you can eventually have him join your crew. Even the Burch family, from Hey Ash Whatcha Playin’?, make a guest appearance. Due to the good amount of voice work done it adds a whole level different level of of humor to the game, makes it even funnier, and more memorable then most cameos in movies/games/tv shows/etc.

The graphics were really well detailed and accentuated the absurdity of it all. Like in some areas if a NPC stood next to a void, a open wormhole in the programming, then their eyes would bulge or arms would get scrawny. To a certain extent the game poked fun at itself by letting some NPCs walk along like they weren’t fully rendered. Other times cars would drive upside down or the buildings walls would look like they were constantly refreshing. Another cool thing is that in some missions the game would fake freeze the screen and a programming dialogue box would open up like someone was programming it as I played the game.

However the graphics were a major problem for the game. Often it would crash to a complete stop. So I had to reset the PS3 about 10 times total. To a certain extent I’m just glad it didn’t ruin my saved games files. However it was problematic if you used some of the more ferocious Homies to fight along side you. Like I’d recruit the Burch Family or Homies that were upgraded, a lot. They’d help in some of the intense fights. However, whenever we get into a skirmish they immediately use super powers on whatever enemy is around. So do the math, multiple cars, people, aliens, and your NPCs roaming about and fighting all at once== system overload. After I noticed that I stopped using them as much. This took away from the experience, to me, because the whole point of them being apart of the game is so they can help you out. Also there was a drastic difference in crashes between going solo and using NPCs. If I went solo I’d last about 9 hours of gameplay (shut up I know that’s bad), but if I used NPCs it would maybe last 4 hours before it crashed.

This is probably one of my favorite comedy games of all time. Yes, it’s a rare COMEDY GAME. Very few people in this world know what COMEDY is and how you can be funny or just fucking pathetic. Yes they straddle the lines on some of the shit jokes, but I found myself laughing so hard I had to pause the game and calm down more often then rolling my eyes. Sure the story lines kinda cluster together and some are just terrible, but for the most part the stories told are rather fun and stupid in a jovial fashion. The controls are perfect, and so are most of the graphics. The only thing that brings it down is that it sporadically crashes to the point where I had to restart my PS3 multiple times, but it wasn’t a problem for the most part. The difficulty wasn’t too challenging, but if you don’t pay attention to what you’re doing the game will pretty much run you over.

This is simply put: a great game.

8.5/10

The Wedding Ringer Movie Review

TheWeddingRinger

Warning: MILD SPOILERS

Doug Harris proposes to Gretchen Palmer and they start to plan their wedding. Doug struggles to find best men as the weeks get closer to the wedding date. Eventually Edmundo (AKA Dirty Eddie Sanchez) notices and suggest Doug see Jimmy Callahan. Doug finds out Jimmy does this as a profession and is offered a rang of options. Once Jimmy finds out that he needs 7 groomsmen then he almost kicks Dough out.

This was really disappointing. I thought it would be funnier since Kevin Hart was in it, but I was really wrong. Now don’t get me wrong it was different story and bromance wise, but not as a comedy. Not only does it rely off of some terrible tropes, aggressive humor, pratfalls, and various things that are just really recycled jokes, but they are the most predictable things ever. The only good part was the one liners. If they aren’t cringe worthy, then they had me rolling my eyes. I’ll admit I did laugh a few times and smirked, but for the most part this was cliché.

Seriously we’ve seen all these jokes before. Let me see if I can spell a few of them out for you. The fat guy is made fun of for his fat. Fat guy leans on glass table and it breaks. Fat guy starts screaming in pain. The black guy with the fro is super ghetto and says something ghetto. The guy with the mulletsays something eluding to rape or redneck-ish. Bullshit macho-men push around a smaller guy. Do you get the point yet? Does it feel like I’m explaining all the jokes for you so it isn’t fun, and possibly being abrasive or in your face about it? Good! That’s exactly how the movie made it out to be. Every other movie ever made has made all of these jokes already, without violence and such blatant stereotypes.

Other then the jokes, and some horrible pranks played on Douge, the story was relatively well written. The bromance felt more legit then the relationship then the romance subplot. This totally worked out later. Also there’s the who plausibility factor. There’s lots of people out there who just don’t have time to maintain friends and when something that requires you to have them, like a wedding, then they would be SOL. However, since the whole story is COMEDY based, and the jokes are terrible, that’s why I can’t give it a passing grade.

Sadly, despite the jokes and story, everyone did a reasonably decent job at acting. Kevin Hart was loud, in charge, and swam like a duck in water with this role. Josh Gad was good as a dimwitted questionably social nerd. I vaguely remember seeing him in other things and he seems to have range. Kaley Cuoco-Sweeting was good, but I didn’t care for her in this role because it seems she’s been typecast as the pretty slut, pretty manipulative girl, or pretty woman who’s settling for less. Affion Crockett was awkward in a few scenes and his timing was spot on. Jorge Garcia did well, but it seemed like he made a few references to LOST that I didn’t get. Sorry I didn’t watch the show. I mostly know Corey Holcomb as Black Jesus and while this wasn’t a stretch, but he was lively. Olivia Thrilby basically was there to call Hart’s character on his BS. I like her, but I feel she’s was underused. It was also interesting to see some famous standup comics make guest appearances. Jeffrey Ross made a quick guest appearance as the weddings DJ. It wasn’t much of a performance, because he said a whole of 5 lines maybe, but who knew he could sing. Whitney Cummings made a quick appearance as Kaley Cuoco-Sweeting brides made, who was incredibly obnoxious and loud, but fun. Also one of the funnier scenes was with Josh Peck who royally screws the pooch on a wedding toast. His delivery was freaking FLAWLESS. I cringed with the people at the wedding in the movie and made me want to punch him.

The thing that upsets me about this film is that everything was good, except the jokes. All jokes made were notably average, with very few exceptions. They’ve been in other films multiple times to the point of being nauseating. The plot falls apart in some areas due to main focal points relying off the jokes, because when the punchline falls flat so does the impact of that moment in the story. I can’t recommend seeing this since a comedy relies really heavily off of jokes that just aren’t funny.

4.5/10

Don’t Trust That B In Apartment 23 TV Show Review

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June Colburn lost her apartment and job. Now she needs a new place to stay. She sees a want ad for a new place with a lady named Chole. She goes, they hang out, and she moves in. After living with her for about 5 days she find out that Chole is, well, a giant B. She eats her food. She brings strange men in the house all the time, sleeps around, drinks too much, etc. So since she’s stuck her goal is to get signed on to a good job and MOVE OUT.

For the most part this is a female version of The Odd Couple. June is a head strong career woman and seems to be a fitness nut. Chole drinks, sleeps around, stays out too late, and takes questionable drugs. Its funny to watch someone completely spaz out and do it so shamelessly. Although most of the situations kinda spring between Chole trying to protect the almost infinitely innocent June from terrible people or trying to get her to interact with people. Which is strange because sometimes its a contradiction all to itself. While it contains a wide variety of humor, it has a habit never seeming to stop. Many episodes it’s punchline after punchline or if there is a brief moment it’s a setup for the next punchlines. This might make some peoples head spin, but all of it has good chuckles. Some of the jokes even try to break into the territory of breaking stereotypes. Like Eric Andre‘s delivery adds heaps to whatever joke he’s telling about casual racism. Like his character and June are in the theaters watching a movie. She won’t SHUT UP so he says “I hope everyone noticed that the black guy isn’t the one talking through the movie.”

The other kinda endearing part of it is that June really is a normal woman who’s just searching for her place in life. A lot of the other crazy comedy comes from her misadventures of being a total dork. It’s cute and sometimes cringe worthy to see someone bump along in life and still make it out OK. Now when someone decides to write a female character, or make her the main character, then they usually decides to tell said life story with a shitload of mellow drama. Thankfully this doesn’t have any of that. Each mishap is mostly something to make light of and theres even punchlines to Junes failings.

The character development is either spars for some characters or just all over the place. Like with June one episode she wants to be like Chole and at least sleep around. Then she finds out the difficult way that it really isn’t something she needs to get into. Then the next week shes TRYING IT AGAIN. Didn’t the character just learn from said mistake in the previous episode or did the writers forget it? Chole makes NO attempts to change or rectify her behavior, while making everyone else miserable, despite getting in trouble many times, usually in one episode. Then she tries to influence June to be, well, like her sometimes. Other times she seems so self absorbed that helping June be a city girl is the last thing on her mind. It’s really spatial, random, strange and something I didn’t care for with the series. Also this trait isn’t exclusive to these two characters and is mildly irritating to see. I know I’m complaining about character development like it’s a serious thing for a COMEDY, but you can see character development in everything. Like for example:Seinfeld‘s character development was steady over time, even if it did fluctuate between being douches and their normal version of their character(s).

The acting, for some, was terrible and then they all generally improved. Krysten Ritter was rude and crude right out of the shoot. She probably did the best out of all of them when the series aired. I’ve seen her in a few other things, but I don’t remember them and if thats the case she didn’t stand out. Either way coming off as someone who’s completely berserk is still entertaining especially since everyone seemed to keep a straight face while she was acting. Dreama Walker, who’s a total babe, plays the innocent and sweat country girl next door thing kinda well. I just wish she was in more movies, or even TV, because I honestly think this is the first time I’ve see her do anything. Michael Blaiklok has a talent for the stranger roles, as it seems. He excelled at being the creeper concerned neighbor. He was a great great in this and I honestly can see someone like his character existing. Sure it wasn’t a standout performance, considering Ritter and Ray Ford took the cake, but its still noteworthy. Eric Andre I usually don’t care for because his brand of surreal comedy is too obnoxious for me. However, he pulled off a normal/stressed coffee shop owner and was funny when the punchlines came. His comedic delivery was probably the best out of them all. James Van Der Beek has always been good in more serious roles. So the first few episodes he was in was kinda terrible. His delivery and execution was a little stale. However after I think episode 5 he really honed in on the flaky, self absorbed, celebrity and seems to sink his teeth into the character. He even lets the writers make fun of his fan base (see Dawson’s Creek) a number of times and not only does it show he’s a good sport about it all but proves he can do comedy roles. Ray Ford plays the sassy homosexual assistant of Van Der Beek. He’s plucky, he’s funny, he’s kinda strange, but I find his character endearing since he does seem to have more aspirations then most of the other characters.

Many people cry that Firefly was canceled. Well this is something for the comedy fans to harp about and how it was unjustly sacked. After two season it was axed and, in my opinion, it was one of the better shows on TV at the time. I can understand why ABC canceled it, considering it’s comedy was really douche-like compared to their normal shows. Also the considerable amount of flaws it had didn’t help it any. However if you want to see something kinda cute, strange, and cringe worthy many times over then please watch this. Its quality humor, if you can put aside it’s flaws.

7.5/10

Must Come Down Movie Review

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WARNING: SPOILERS

Ashley is a bit of a free spirit who’s just trying to find a good time and his way through life. After quitting his job to travel he’s traveling back to his home town to revisit past memories. Holly just recently got dumped by her boyfriend. She’s also looking for a new job and is confused as to what to do with her life. The two meet at a bus stop and eventually start talking. They bond and help each other over come emotional obstacles.

So I usually don’t like indy movies because they feel pandering or the story is either repetitive of something from it’s genera. This thankfully wasn’t that. It’s a simple love story between two lost souls and kinda dorky people who just want to be loved. For the most part it’s all about subtle moves. Like Holly will lay on the blatant hints of wanting more then a friendship. Then Ashley would brush it off, but would kinda acknowledge it the next day. It was like a cute disjointed teen romance. There’s one scene where she hugged him and started to cry. Then as he left he looked emotionally drained. I honestly think he knew he made a mistake.

To a certain extent there isn’t much of a story. It’s mostly quick montages of people goofing off together. Yes it seems to deal with Ashley’s social awkwardness, but he doesn’t seem all that bad off. He does mention his parents getting divorced, but it seemed to lack detail. It’s obvious Holly just wants to be in love again but would probably be better suited just keeping calm for a while. It does seem to capture the uncertainty of life, that bad alone feeling, and how great it is to just find someone.

PEW PEW!!

PEW PEW!!

The scenic outlay of most of the shots are brief and capture simple details. They’re nicely shot and the simpler they are capture more of the moment between the characters. Its quick cuts go directly to what the other characters were previously talking about and usually winds up hilarious. The musical pacing is great. It reminds me of Garden State because it didn’t use orchestra music to heighten some emotional scene. It would interject random indy bands and it always seem to help make smooth transitions between the characters, especially at parts with no dialogue.

First off I’ll acknowledge my bias towards Ashly Burch. Yeah I like her acting, and voice acting. I originally started watching her in Hey Ash Whatcha Playin. Which she plays Ashly Burch, the character, who’s debatably clinically insane. So this was a little more normal for her. She did well as a worried emotional trainwreck without giving into some of the old acting cliches of the romance genera. There was only one scene of hers that I think she UNDER played, but the script might have been written that way. David Fetzer was funny to watch as a flighty guy who just seemed to like to coast through life. He was weirdly likeable. If anything his character reminds me of ‘that guy’ at all the parties. He’s weird, he dances to his own beat, and thinks about everything a lot. Liberty Cordova was a cute addition to the cast. Her brief parts gave a ditzy kinda feel. It was brief, but cute. Colin Fugit had about 10 lines in the whole movie and he was probably the weakest of the group. Yeah he played a scumbag character but it seemed stale or hesitant. But eh, it doesn’t mean he won’t get better. Most of the other actors had small parts so its difficult to critique them all.

This is a heartwarming movie despite it’s SLOW pace. The cast plays their characters out well and seem earnest. The music was a awesome addition to the movie. It was probably a bunch of indy bands, but every song laced the scene and feeling of the moment so well it’s weirdly soothing. The scenic shots are light and done very well with natural lighting without too much visual interference. Despite it not ending the way I would liked it to, it’s still a beautifully melancholy romance movie for people who struggle to move on. It’s something us diehard romantics wish we could experience at least once, for a little while. For me its something I’d watch on a rainy day.

It’s available as a digital download, to rent, or you can buy a physical copy at their website.

7.5/10