WARNING: Mild Spoilers
Harry Hart owes a life debt to a fallen friend, Lancealot, whilst working for a socially elites group of people who are Britain’s best undercover spies called: Kingsmen. They all take names from King Arthers fairy tales, and some even exude qualities of their mythical counter parts. Regardless, Gary “Eggsy” Unwin grew up as a social delinquent. He eventually gets arrested and calls on the Kingsmen to get him out of trouble. They do and decide to recruit him for their undercover training program.
I consider most British comedies wittier then most American comedies due to well placed sight gags or very well crafted dialogue. This one lacked in some areas on good gags and smarm, but it made up for with well crafted crass humor. Colin Firth played the straight man to Taron Egerton‘s young and foul mouthed teenager. Many examples can be seen in the various trailers out there. Other times its simple pokes at American stereotypes or in your face violence. Oddly enough I found myself snickering at some of the violent scenes involving a racist church group they eventually investigate. Other times it was at the blatant references to just about every other spy film ever made while still trying to formulate a ironic style of humor while still honoring the genera.
I didn’t care for the film’s jumbled development. Many times Taron Egerton’s character jumps between lovable dumbass to killing machine back to being a arrogant prick. You’d think after months of training he’d know how to do something simple like open a parachute. Also the anti-US American undertones were a tad obnoxious. They were consistent and only seemed to be berating the ‘evil corporate American companies are trying to kill you’ lunacy that seems to plague every other story now-a-days. Also it isn’t plausible that one of the crucial parts of the story involves mass genocide and all the billionaires in the world just being OK with it. Because once society has toppled what good is their money? Who will run their power plants or make their food? Oh wait. No one will, because everyone is DEAD. There’s a definite spike between different styles of humor after a main character dies. In the beginning it’s a mixture of mellow, wit, wry, and crass humor. After the main character dies then it becomes oafish and pure crass. It isn’t that its too jarring, but it’s REALLY noticeable. So if you think all of a sudden the jokes become crappier then thats just letting you know you’re near the end of the movie.
Colin Firth was decent as a stern sophisticated person without giving into his past experience with roles. Mark Strong played a good guy for once and while not showing a lot of strength in anything he did seem to know how seem convincing he was a master of all trades. Mark Hamill is a bumbling professor and plays it rather well. It’s different since he usually plays a stronger male role, even as a villain. Taron Egerton was good as a jackass, but most of his acting was reactionary due to the script so I don’t think it’s a good example of his acting. Samuel L Jackson was great as the villain, but it seemed like he needed to tighten up some areas and be a little more aggressive or assertive. Other wise he was rather good and made someone with a lisp rather creepy.
Most spy films that try to be comedies fail by hiring writers who don’t know how to blend the two genera or the comedy becomes too experimental. This was a nice balance of everything without having one genera overpower the other. The characters were likable, even if mildly cliché. The story might be bland to some people, but how everything is set up separates it from the rest of the genera. Kingsman might not go down as a comedy classic, but it will definitely be brought up in conversation frequently.
See it in theaters.